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L'Italiana in Algeri

L'Italiana in Algeri

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L'Italiana in Algeri - Gioachino Rossini

From the first to the last notes, Giacchino Rossini plays the role of a madcap master of ceremonies, offering one of his zaniest comedies. L’italiana in Algeri is a surreal farce where Italian dramma giocoso mixes with Dadaism and the manic energy of the two acts suggests the films of Chaplin or Buster Keaton. The concert of onomatopoeia (ding-ding, tac-tac, croa-croa, boom-boom) that erupts in the finale of the first act like a hurricane is unique in the history of opera. But there are also the tender arias of Isabella and Lindoro and even some symbols of patriotism that did not fail to rouse Venetian audiences of the day. Elsewhere, opera buffa dominates, with an overture that offers a glimpse of the chattering that awaits. Another interesting detail, and an important one at that: Rossini composed the opera in just three weeks.

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